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The introduction of non-operatic musical languages such as gypsy rumba, rock and rap became a natural enlargement of the palette.
O Tempo (Somos Nós)

The introduction of non-operatic musical languages such as gypsy rumba, rock and rap became a natural enlargement of the palette.

O Tempo (Somos Nós)

There are two ways in which opera can change—how it is created and who is involved in the creation.

The first kind of change is familiar. Opera loves innovation as much as it loves tradition, and it has always adapted to new technologies. Gluck and Wagner were revolutionaries once: now they are pillars of convention. With new digital tools, from social media to Virtual Reality, the question is not if, but how. The three exploratory operas presented here were all co-created using innovative digital technology in different ways, but always for the purpose of creating and performing opera together.

“Old musical revolutionaries never die, they just get assimilated into mainstream institutions”
Ted Giola

The second change is more profound and more difficult. It involves opening opera to everyone—or at least anyone who might be interested in taking part. In recent decades, opera companies have done a lot to make seeing opera easier; reduced prices, familiar language and other access measures have helped bring in new audiences.

Now it is time to bring in new creators.

Through co-creation—the collaboration of professional and non-professional artists—opera discovers new ideas, new stories, new performers and ultimately new advocates. By throwing open the doors of the rehearsal studio and the workshop, as well as those of the auditorium, opera houses can transform their offer to the public, and with it their relationship with society.

And the best of it is that co-creation can be as artistically exciting and socially transformative as opera ever hoped to be. Its productions are different from those created exclusively by professionals but they aspire to equally high standards of excellence.

There is nothing unworthy about co-creation, nothing dull—unless you’re doing it badly.

Opera has always had a revolutionary spirit. Co-creation can help that thrive today, while new technologies can foster innovation and inclusion.

More in this section

Who cares about opera?

The opera repertoire is full of riches but they are sometimes entangled with problematic stories.O Tempo (Somos Nós)

Making opera matter

In La Gata Perduda the central character is an entire neighbourhood represented by 300 performers and symbolised in the figure of a gender-changing cat.
La Gata Perduda

Benefits for society

There was a place for everyone who wanted to sing in La Gata Perduda, though not always the place they thought they wanted. 
La Gata Perduda

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The exploratory operas